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VERSION:2.0
CALSCALE:GREGORIAN
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BEGIN:VEVENT
LAST-MODIFIED:20070920T101642
SEQUENCE:0
ORGANIZER:no.where lab and Tate Modern
DTEND:20071013T133000
UID:2008-08-21T23:51:35-0400_598720872@socialweb1
DESCRIPTION:*_Corrupting the Image _*
\n_Led by no.w.here _
\n 
\nSaturday 
 13 October 2007\, 10.30–13.30
\nSaturday 27 October 2007\, 10.30–13.30

 \n
\nThis two-session workshop explores how mechanical decay or electronic 
 processes of image degradation can be used as an artistic tool to create ne
 w and unexpected forms of representation. Using examples of work by contemp
 orary artists including Cecile Fontaine\, Nicolas Rey\, Mary Lucier\, David
  Hall and Tony Sinden\, the tutors discuss the potential of this type of pr
 actice as a way of questioning how images are made\, how the intentional re
 duction of image quality\, resolution or clarity might be used in current p
 ractice and what these processes might mean for a whole new set of aestheti
 c and critical concerns. 
\n
\nBetween sessions participants are asked to p
 layfully explore methods of image degradation within their own image-making
  processes as the basis for new work in any medium. Discussion of these wor
 ks forms the focus of the second session. 
\n
\n_In collaboration with no.w
 .here lab_
\n
SUMMARY:Corrupting the Image 
DTSTART:20071013T103000
CREATED:20070920T101046
DTSTAMP:20080821T235135
LOCATION:Tate Modern Tate Modern McAulay B
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