If you smith words for a living – whether as a freelance or staffer, or as a writer or commissioner – you need to know about intellectual property. This briefing will explain how copyright is the stock-in-trade of the writer, and the opportunities for earning it represents. It will deal with the balance between self-interest and duty that arises from the law of copyright and the associated issues of moral rights, attribution, the increasing problem of rights grab, and the special implications of copying in the digital age. If time and demand permit, it will also stray into simple law for journalists, and dream a bit about ways of improving the contract terms to which freelances have to submit.

The speaker, Mike Harrison
Mike Harrison regards himself as a fraudulent member of the ABSW. Sure, he does write, and has done it for a living, with roles ranging from staff producer/director in BBC television to lonely freelance churning out news and features for radio, magazines and newspapers. And he does have a bit of science, with a Physics BSc and a chunk of career developing new ways of teaching the stuff. But the skeleton in his cupboard is the long periods he has spent in management, both in large corporations and in developing small, high-tech businesses – even a stint working inside that most fearsome of business organisations, a management consultancy.

Registration required:

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Free:

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